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The Other Lamb. This hypnotic film tells its simple story almost completely visually with a dreamy aesthetic and mostly sparse prattle dialogue. Set in the cold, wind-whipped countryside of Ireland, the cinematography is breathtaking. As is the performance by Raffey Cassidy who hails from the classic Norma Desmond school of “We-didn’t-need-words-We-had-faces”. Her eyes seethe with anger and when she does scream its almost completely muted. The blunt message being that women with opinions of their own are “broken” – because the sole patriarchal shepherd says so. Movies about cults tend to be infuriating (why don’t they just leave) but this movie does not concern itself with the psychology of cult leaders or followers. It’s a much more intimate story of one girl becoming a woman in a cult. And though a drama, the film is shot like horror movie with clear directions that this cult is heading towards the inevitable dark road to coven.

Blood Quantum. Zombie film are such downers and this one is no different, however it’s much more poignant told from the viewpoint of First Nations residents who are seemingly immune. It’s extremely gory, nasty, and vile but that’s to be expected in this subgenre. There’s some fantastic visuals, including some animated sequences, and some odd, unusual camera work. While the performances are uneven they’re still very engaging, and it’s vital to see people of color both in front and behind the camera. The nagging problem is the screenplay that’s much too episodic, incoherent, and meandering to be effective.

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The Other Lamb. This hypnotic film tells its simple story almost completely visually with a dreamy aesthetic and mostly sparse prattle dialogue. Set in the cold, wind-whipped countryside of Ireland, the cinematography is breathtaking. As is the performance by Raffey Cassidy who hails from the classic Norma Desmond school of “We-didn’t-need-words-We-had-faces”. Her eyes seethe with anger and when she does scream its almost completely muted. The blunt message being that women with opinions of their own are “broken” – because the sole patriarchal shepherd says so. Movies about cults tend to be infuriating (why don’t they just leave) but this movie does not concern itself with the psychology of cult leaders or followers. It’s a much more intimate story of one girl becoming a woman in a cult. And though a drama, the film is shot like horror movie with clear directions that this cult is heading towards the inevitable dark road to coven.

Blood Quantum. Zombie film are such downers and this one is no different, however it’s much more poignant told from the viewpoint of First Nations residents who are seemingly immune. It’s extremely gory, nasty, and vile but that’s to be expected in this subgenre. There’s some fantastic visuals, including some animated sequences, and some odd, unusual camera work. While the performances are uneven they’re still very engaging, and it’s vital to see people of color both in front and behind the camera. The nagging problem is the screenplay that’s much too episodic, incoherent, and meandering to be effective.

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AMULET tells an ominous story of men, good & evil, atonement & a fascinating mythology. Stylishly shot with a languid pace unfolding in two timelines the horror suddenly explodes into an absurd, ethereal yet totally incomprehensible finish that still lingers & haunts the mind.

THE BEACH HOUSE is a steady-burn film that starts in one #horror genre & ends in another. The shift is sly with a wicked, calculated & clever plot that leaves you harrowed by the time you realize what’s truly happening. It’s a very effective, trippy, solid debut film.

In THE SIREN, tragedy begets tragedy and then you throw an innocent man from the church into the mix and see what happens. This mermaid tale is grounded in the most unfanciful fantasy with some beautiful shots on a lake, including some tricky night shots. I really appreciated the unique narrative touches, like the dude is hot but mute, the mermaid is really charming but a monster, and the central conflict told with confusing voiceovers is a gay man’s revenge tale. There’s one pivotal moment involving a near drowning that really lost me, along with a relatively  unsupported love story. It never provides much tension or suspense but perhaps that’s not the point for subgenre of horror romance. It’s also a bit too long but the solid performances keep you invested.

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AMULET tells an ominous story of men, good & evil, atonement & a fascinating mythology. Stylishly shot with a languid pace unfolding in two timelines the horror suddenly explodes into an absurd, ethereal yet totally incomprehensible finish that still lingers & haunts the mind.

THE BEACH HOUSE is a steady-burn film that starts in one #horror genre & ends in another. The shift is sly with a wicked, calculated & clever plot that leaves you harrowed by the time you realize what’s truly happening. It’s a very effective, trippy, solid debut film.

In THE SIREN, tragedy begets tragedy and then you throw an innocent man from the church into the mix and see what happens. This mermaid tale is grounded in the most unfanciful fantasy with some beautiful shots on a lake, including some tricky night shots. I really appreciated the unique narrative touches, like the dude is hot but mute, the mermaid is really charming but a monster, and the central conflict told with confusing voiceovers is a gay man’s revenge tale. There’s one pivotal moment involving a near drowning that really lost me, along with a relatively  unsupported love story. It never provides much tension or suspense but perhaps that’s not the point for subgenre of horror romance. It’s also a bit too long but the solid performances keep you invested.

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As Covid-19 continues to rage on in our country (wear a mask!) its becoming clear that Halloween will not be saved. With 106 days to go, it’s time to start planning for those kids who do come to our yard haunts and want a treat. I’ve been thinking about how to do this safely since reaching into a bowl or hand-to-hand handling will not be safe for everyone. 

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Relic slow burns through the anguish, regret, and duty of three generations of women facing a haunting deterioration. The effects dementia has on the afflicted and those around them is devastating and sorrowful, and yet there seems to be something much more sinister at work, as inky shadows lurk in every corner. Our footing is never secure on any one answer. 

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The image above is made fabulous by freelance designer Sean Sinclair, courtesy of Unsplash.com

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The image above is made fabulous by freelance designer Sean Sinclair, courtesy of Unsplash.com

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Planning for my walk-by/drive-by display is underway with the building of new props, sourcing supplies, and creating a manageable schedule. The theme this year is inspired by the film Trick ‘r Treat, which is arguably the best Halloween movie ever made. The film’s sublime production design evokes classic Halloween visuals of jack o’ lanterns, ghosts, and graveyards. I hope to recreate some of that atmospheric charm with Sam as a focal point, and add adding a few nods to other iconic horror movies. I can already hear my haunter friends calling it a “haunt stew,” a term they use to define the lawns littered with an overabundance of Halloween store props mish-mashed together with no rhyme, reason, or story. Personally, I welcome any seasonal decorating – yes, even those obnoxious air-blown monstrosities – over no decorating and applaud the spirit of all yard haunters.