Quick Takes: Tigers Are Not Afraid, High Life, Head Count

by on Sep.16, 2019, under Syndicated from the Web

Reposted from Wicked October | Go to Original Post



Tigers Are Not Afraid is devastating. The horror across the border in Mexico is very real and this fantasia captures the spirit of children left to defend themselves against monsters in all forms. Director Issa Lopez has a remarkable vision, imagination, and restraint that narrows the focus to a pinpoint of pain and sorrow, and her incredible young actors fulfill the mission. This a masterpiece. Currently on Shudder.

High Life is a quietly bleak, psychosexual, sci-fi anomaly that tackles themes of isolation, redemption and the inevitable surrender to the horror of deep space. It will be challenging for some audiences with its strangely assertive sexual overtones and undefined ending but it stands alongside some of Stanley Kubrick’s best work. Robert Pattinson’s stellar performance embodies the weary lost soul and the results are a transcendental meditation on hope.

Head Count is deviously clever & creepy, making you second guess what you’ve seen. The set-up might seem trite, but it follows in the new wave of #horror that pushes genre expectations. The ride is relentless & dreadful, the payoff is satisfying, but the coda was unnecessary. Currently on Netflix.


Quick Takes: Tigers Are Not Afraid, High Life, Head Count

by on Sep.16, 2019, under Syndicated from the Web

Reposted from Wicked October | Go to Original Post



Tigers Are Not Afraid is devastating. The horror across the border in Mexico is very real and this fantasia captures the spirit of children left to defend themselves against monsters in all forms. Director Issa Lopez has a remarkable vision, imagination, and restraint that narrows the focus to a pinpoint of pain and sorrow, and her incredible young actors fulfill the mission. This a masterpiece. Currently on Shudder.

High Life is a quietly bleak, psychosexual, sci-fi anomaly that tackles themes of isolation, redemption and the inevitable surrender to the horror of deep space. It will be challenging for some audiences with its strangely assertive sexual overtones and undefined ending but it stands alongside some of Stanley Kubrick’s best work. Robert Pattinson’s stellar performance embodies the weary lost soul and the results are a transcendental meditation on hope.

Head Count is deviously clever & creepy, making you second guess what you’ve seen. The set-up might seem trite, but it follows in the new wave of #horror that pushes genre expectations. The ride is relentless & dreadful, the payoff is satisfying, but the coda was unnecessary. Currently on Netflix.


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